Pentax 645D as the Best DSLR for European

The Technical Image Press Association (TIPA) is a group of editors at 29 of Europe's leading photo magazines. The group, which spans 14 countries, has voted the Pentax 645D as the best DSLR Professional in Europe.

Cameras released between April 1 of 2010 and March 31 of 2011 were considered and the 645D came out on top. The TIPA says that the design, build and features were appreciated by its members, who said that the weather resistant body makes it a fantastic choice for outdoor photographers.

"Perhaps most impressive," said the TIPA, "is lens compatibility, which encompasses both the new D FA autofocus lenses as well as older 645 lenses."

The Pure Joy on First DSLR

Do you remember how you felt when you get your hands on your first DSLR camera? Perhaps it was something like what this woman felt after receiving a Nikon D90. Even if you’re a Canonite or the Tin Woodman, this video will probably still bring a smile to your face. Nikon needs to contact these people and turn this into a commercial.

Nikon 50mm F1.8 built in AF

A Nikon 50mm F1.8 lens with a built-in auto focus motor is around the corner

Nikon recently published (and then removed) details on their US site of a new AF-S NIKKOR 50mm F/1.8G lens complete with a Silent Wave focusing motor.

This unofficially announced design should allow autofocus on all entry-level Nikon DSLR bodies, including the latest D5100 and D3100 the lens should work with both FX and DX DSLRs. It also uses a new optical design with 7 elements in 6 groups (rather than 6 elements in 5 groups), including one aspherical lens element, a first for a 50mm F1.8 lens.

Too geeky for you? Well, it’s simple enough… The available 50mm F1.8 lens could not be used easily on entry level Nikon DSLR bodies as they lacked the built-in auto focus sensor. The new lens should take care of that as it has the motor built right in. The aspherical element means it should be even better than the previous generation as it should help eliminate optical aberrations. And finally, the wide aperture on this lens makes it one of the most affordable way to get that coveted shallow depth of field that creates blurry backgrounds that are perfect for portraits.

iPhone 5 is a killer ??

iPhone 5 might kill DSLR cameras, iPhone becoming the most popular Flickr camera

iPhone 5 might kill point-and-shoot cameras “more,” iPhone 4 now becoming the most popular camera device according to Flickr.

According to a report posted by NY Times, iPhone 4 is now becoming the most popular camera device based on the data published by Yahoo’s popular photo sharing site Flickr. iPhone 4, which is currently the latest generation of the popular smartphone brand by Apple, is quickly becoming the number 1 camera of Flickr users, slightly behind the number 1 camera, the DSLR camera from Nikon, the D90 with 12.3 Megapixels camera quality.

Apparently, iPhone 4 is a smartphone, while the Nikon D90 is a DSLR. But smartphones today are quickly becoming the first choice of the public when it comes to shooting photos and videos because it’s portable and easy to use. Plus, smartphone manufacturers are now trying their very best to give the customers a much more powerful photo and video capturing software and hardware, aside from the fact that Apple’s app store features a lot of “camera apps.”

Speaking of powerful photo and video capturing, Apple’s “still good as a rumor” iPhone 5 might feature a better camera quality of 8 megapixel, according to latest rumors talking about the iPhone 5′s camera sensor. If this rumor is true, then expect to see the iPhone’s camera market share climbing even higher.

Aside from the iPhone, Android smartphones are also expected to deliver quality video and still shots courtesy of improved camera sensors. Samsung’s Galaxy S2 and HTC Thunderbolt are some of the new phones that have positive camera quality reviews.

10 digicams and imaging myths busted

By Leonard Goh on Apr 19, 2011

There are many misconceptions about digital cameras and imaging. Some of them have been around since the dawn of photography, while others surfaced with the digital revolution. It's easy to believe the hearsay when you've heard them often enough, but most turn out to be faux when investigated. In this guide, we will explore the 10 common myths and legends of digital photography and bust them just like how Clint Eastwood busted the bandits in the Western spaghetti Man with No Name.

Myth 1: Expensive cameras let me shoot better pictures

We say: This common misunderstanding applies not just to digital cameras, but other items as well--tennis rackets, cars, etc. While an expensive camera usually sports the most advanced features and cutting-edge technology, having all of them doesn't necessarily ensure better pictures. The trick here is to identify the features that matter and match them to the cameras you are planning to buy. A keen eye for aesthetics usually helps, too, but you can go further by applying basic photography techniques. Like some pros will say: It's not the camera that makes the picture, but the person behind it.

Myth 2: Higher pixel count equates to better image quality

We say: As much as having more pixel resolution allows for larger prints, it should be noted that the size of the camera sensor also plays a critical role in determining the quality of images. Unfortunately, the sensors in most compact or even prosumer snappers are smaller than those in a dSLR. When you try to cram too many pixels into a small area, chances are the image quality will be sacrificed. This is easily understood if you look at two similar-resolution pictures--one taken with a compact shooter, the other with a dSLR of the same resolution.

Myth 3: Every imaging problem can be solved in Photoshop

We say: Whoever came up with this theory must either be a bad photographer or a very lazy one. Sure, Photoshop can lighten up some shots, sharpen them or even remove blemishes. But there are limitations to what you can patch up with the software. Besides, you really don't want to edit every one of the 300 images you shot during your vacation. You can save some time by better understanding your camera controls and using the appropriate settings.

Myth 4: RAW format is for pros only

We say: We admit it can be slightly intimidating to work with RAW files, but the programs that are bundled with cameras these days make post-processing easier. This gives more creative controls even to amateur photographers. However, do note that the RAW format takes up more space in the flash card, though we think the tradeoff is worth it.

Myth 5: Scene modes are for dummies and I am not

We say:It may be the case in the past, but point-and-shoots now are so advanced that it can recognize facial features and much more. The pre-programmed modes contain information on every kind of photographic situations there are possible, and most cameras are intelligent enough to apply the appropriate settings to achieve optimum exposure, color and contrast.

Myth 6: I need a computer to print my shots

We say: This was the case in the early days when you needed to download your pictures into the computer before you could print them. Nowadays, you can get your images printed at just about anywhere, from photo labs and automated photo kiosks to online print service Web sites. Most printers now also offer onboard flash card slots for standalone printing. Alternatively, if both your inkbox and camera are Pictbridge-compatible, all you have to do is connect the camera to printer, select the images, and hit Print.

Myth 7: Faster memory cards are needed for optimum performance

We say: While this may be true for dSLR cameras, faster memory cards typically don't perform significantly faster in most compact cameras. This is because file sizes that compact cameras handle are relatively small compared to those generated in dSLRs. So keep this in mind the next time a salesperson at the store tries to convince you to fork out more dough for a faster memory card.

Myth 8: Auto mode takes lousy pictures

We say: In the past, shooting in the Auto mode usually meant having to compromise on the image quality of your shots, particularly when shooting in challenging situations or low-light environments. But with manufacturers adopting more advanced shooting algorithms in their cameras these days, properly focused and exposed pictures can also be captured using the Auto mode.

Myth 9: Third-party batteries work just as well

We say: Sure, these juice packs may be cheaper than the cells from the original manufacturer. In some cases, they may even boast higher battery capacities. But before you switch to third-party cells, consider the risks: Some of them undergo poor quality control resulting in inconsistent voltage output and inability to charge properly, which can cause damage to your camera. Not to mention, you will also void the warranty when the camera is damaged due to the use of a third-party battery.

Myth 10: Cameras that take AA-sized batteries have lousy battery life

We say:This really depends on the type of AA-sized batteries that are being used for the camera. As digital cameras are high-powered devices, alkalines do not generally last very long. Lithium cells give a much longer usage but cost a lot more than alkalines. High-capacity rechargeable nickel metal-hydride cells (above 2,500mAh) offer the longest battery life (comparable to lithium-ion rechargeables) and are probably the most economical option out there. Granted that cameras using AA-sized batteries typically give them a bigger footprint, its convenience lies in the fact that you can get replacement batteries just about anywhere.

Records HDMI Video!!

Atomos Ninja records uncompressed HDMI video to ProRes format in real-time
By Darren Quick
20:42 April 18, 2011

Converting captured high quality video to edit-ready format can be a time consuming business, but the new Ninja Recorder from Atomos is a little box that takes care of this task by bypassing in-camera video compression and recording uncompressed 10-bit video directly to a 2.5-inch removable SSD or HDD in Apple ProRes format (HQ, 422 or LT) in real-time. The self-contained portable device connects to a DSLR or camcorder's HDMI connector and allows incoming video to be monitored or recorded video to be played back on its 4.3-inch 480 x 270 touchscreen.

The Ninja kit comes with two Master Caddies ready to house your choice of 2.5-inch SSD or HDD's that slot easily into the unit and can be easily swapped out on the fly to provide practically limitless storage capacity. Once video has been captured and it's time for editing it's just a matter of removing the Master Caddy and slotting it into the included Master Caddy Dock that connects to a computer via FireWire 800 or USB 2.0/3.0.

The Ninja is continuously powered by hot-swappable dual batteries and utilizes battery-looping technology that allows one battery to be swapped out while the other is powering the device. The two included 2600 mAH batteries should provide between five and seven hours of recording time, while shelling out for a couple of 7800 mAH batteries will increase recording time to between 15 and 18 hours. A dual battery charger is also included with the kit that comes packed in a durable, padded carry case.

Atomos plans to regularly add functionality to the device through the release of firmware upgrades and asks users to submit their suggestions for extra features.

The Ninja Recorder is available now for US$995, with a list of retailers available on the Atomos website. The company is also releasing a unit called the Samurai that works that same uncompressed video recording magic as the Ninja, but from an HD-SDI input instead of HDMI. The Samurai also boasts a larger 5-inch 800 x 480 resolution touchscreen and will retail for US$1,495 when it is released later this year.

Lab Test: Canon EOS Rebel T3i (600D)

 
Canon's latest Rebel offers an articulated screen and wireless TTL control for off-camera flashes, a Rebel first.

It wouldn't be spring without our heralding the arrival of a breakthrough Canon Rebel. This year, though, we have a slightly different message. Because, even though we do think the new T3i is the best Rebel ever, we know that what rings our chimes doesn’t necessarily ring everybody’s.

Don’t get us wrong. When it comes to image quality, the T3i basically matches the T2i, already the best in the entry-level segment, and its performance in other areas is also just as good—again, at or near the top of the category. So if you want great pictures from a DSLR, at a reasonably low cost, then the T3i delivers. Plus you get wireless TTL control of off-camera flash—a first for the Rebel line. And its 3-inch, 1.04-million-dot, articulated LCD monitor makes getting those images, and shooting HD video footage, easier. If you don’t care about these innovations, though, you’ll get a better deal with the T2i.

In the Lab
With the same 18MP sensor Canon uses in its T2i, 60D, and 7D, the T3i had no trouble earning an Excellent rating for overall image quality. In our resolution test, it turned in 2550 lines per picture height for an Excellent rating; color accuracy, with an average Delta E of 6.7, also rated Excellent.

In our noise test, the T3i showed modest improvements over the T2i at ISO 1600 and above. Below ISO 1600 it basically matched the T2i, except at ISO 800 where the T3i showed more noise—just barely enough to push it to a Moderately Low rating on our scale. Ironically, this means that the range for which the T3i gets an Excellent overall image quality score is ISO 100 through ISO 400, while the T2i goes up to ISO 800. Ultimately though, we’d put the T3i’s image quality slightly ahead of the T2i, since it maintained acceptable noise ratings 1 stop higher—through ISO 3200.

Given that the T3i and T2i share the same core AF system, it’s no surprise that they had comparable results in our AF speed test. Impressively for an entry-level camera, the T3i was able to focus in less than a second even in the moonlit-level darkness of EV –1. Interestingly, Canon rates the AF system to work only down to EV –0.5. In our test, the focusing became less consistent at EV –2, but it did manage to lock focus in an average of 1.2 seconds. That’s good for a system that isn’t even rated to work in light that dim.

In the Field
The most noticeable difference between the T3i and T2i are the cameras’ bodies. The majority of buttons remain in the same places. We again applaud the location of the exposure compensation button next to your thumb’s resting place on the back of the camera. The Q button accesses the quick menu to change most any major setting. And the well-designed menus are intuitive enough to let you find any setting you’ll want to change. If we have one gripe, it’s that you could breeze by the Custom Functions option in the Set Up portion of the menu if you didn’t know to look for it. If so, you’d have a hard time figuring out how to expand the ISO range to reach an equivalent of ISO 12,800. The articulation of the high-resolution 3-inch screen is the most tangible difference between the cameras, and one we love. It’s easy to dismiss, but once you’ve gotten used to shooting with a fold-out, fully swiveling screen, you’ll miss it when it’s not there.

Shooting in Grand Central Terminal, we appreciated being able to frame an overhead shot of the clock atop the info booth. Similarly, while using a monopod with a 24mm f/3.5L II Canon TS-E tilt/shift lens, one shot demanded a camera height of about 4 feet—awkward to frame through the optical finder or with live view on a fixed LCD. With the T3i’s screen tilted upward, framing was precise and quick. The one downside to the articulated screen is that it doesn’t leave space for the sensors that automatically turn off the LCD screen on the T2i. So, you’ll have to turn the display off with the display button if it annoys you while using the optical finder.

As you might expect, the tilting LCD also comes in handy when shooting video. While video largely remains the same as in the T2i, with up to 1920x1080p recording at up to 30 frames per second, Canon did add one nice feature: Video Snapshot mode. It lets you record clips of 2, 4, or 8 seconds and will add subsequent clips to the end of the preceding ones so you can string together multiple clips into one longer video file. There are no transitions, but it’s a quick way to make a highlight reel of a vacation or outing without having to do any editing afterwards.

Fans of off-camera flash will like that the T3i is the first Rebel to include wireless control through the built-in flash. You can select from four channels and set output manually for up to two groups in addition to the body’s pop-up. Like most recent Canon DSLRs, the T3i’s 63-zone metering system assists the AF system with color and luminance information when tracking subjects. The T3i did a good job of continuous focus, though occasional frames were a bit soft when tracking faster-moving subjects, especially if the subject changed speed—for example, New York taxis accelerating erratically. Still, we found the T3i’s tracking impressive for its class of camera.

Bottom Line
While the T3i doesn’t come across as a major upgrade to the T2i, it’s a thoughtful addition to the line and keeps Canon competitive with the likes of the long-in-the-tooth Nikon D5000. Though due for an upgrade, that Nikon now has no major advantage over Canon at this level of camera body. The T3i beats it on resolving power, high-ISO noise performance, and AF speed. The D5000’s main edge? Its price has dropped enough to make it more comparable to the T2i.

If you own a Rebel and are looking to upgrade, the T3i probably doesn’t make sense unless you envy an articulating LCD and wireless flash control, or if you own a T1i and want full HD video recording and increased resolution—though the T1i’s lower-res 15.1MP sensor had better noise control than either the T2i or T3i.

The T3i makes the most sense for a newcomer who wants all the whiz-bang features Canon has to offer in an entry-level DSLR.

Specifications:
IMAGING: 18MP effective APS-C-sized CMOS sensor captures images at 5184x3456 pixels each, with 14 bits/color in RAW.
STORAGE: SD/SDHC/SDXC stores JPEG, CR2 RAW, and RAW+JPEG files.
BURST RATE: Full-sized JPEGs (Fine mode) up to 34 shots at 3.7 fps; RAW, up to 6 shots at 3.7 fps.
AF SYSTEM: TTL phase detection with 9 illuminated focus points (single center cross-type); single-shot, continuous with predictive AI Servo tracking. Tested sensitivity down to EV –2 (at ISO 100, f/1.4).
SHUTTER SPEEDS: 1/4000 to 30 sec, plus B (1/2- or 1/3-EV increments); shutter life not rated.
METERING: 63-zone TTL metering, evaluative, partial (9% of finder), centerweighted, and spot (4% of finder), EV 1–20 (ISO 100, f/1.4).
VIDEO: Records at up to 1920x1080 at 30 fps; or 1280x720 at 60 fps in MPEG 4 H.264 MOV format; built-in mono microphone, stereo minijack mic input.
ISO RANGE: ISO 100–6400; expands to ISO 12,800 (in 1-EV increments).
FLASH: Built-in pop-up with E-TTL II autoflash and wireless triggering of optional flash units. GN43 (ISO 100, feet), covers the field of view of a 17mm lens; flash sync to 1/200 sec.
VIEWFINDER: Fixed eye-level pentamirror.
LCD: 3-inch articulated TFT with 1.04 million-dot resolution.
OUTPUT: Hi-Speed USB 2.0, mini HDMI, composite video.
BATTERY: Rechargeable LP-E8 Li-ion, CIPA rating 440 shots.
SIZE/WEIGHT: 5.2x3.9x3.1 in., 1.3 lb with an SD card and battery.
STREET PRICE: $800, body only; $900, with 18–55mm f/3.5–5.6 IS II lens.

Read This!! Before You Buy a DSLR camera!

DSLR cameras can be found in numerous dimensions, colours, manufacturers, zooms, promises, playbacks, etc. There are plenty of functions and also qualities that are becoming put into the actual devices in which purchasers specifically rookies turn out to be overwhelmed and also light headed with one of these exceptional arrays regarding devices. This really is even without like the different advertisements and also different ratings which can be used to market the products.

What exactly would be the items to look regarding if you wish to buy cheap DSLR camera? To be able to response these kinds of, there are 2 sets of information you need to know before you determine. The first type of details are defining things you need and want in the DSLR camera. To achieve this, you can think about the following queries:

1. Is there a problem to adopt along with your DSLR camera? Prior to deciding to buy SLR digital camera, you should know what type of pictures you want to capture by using it. If you’re a digital photography lover, virtually any DSLR camera won’t only do. You need to look for characteristics that will offer the zooming you will need, the particular decision, etc.

2. Simply how much can be your spending budget? This is an essential question anyone which promises to buy DSLR camera need to request. Simply because no matter what your requirements and would like tend to be for the system, your own economic resource will have a huge component within dictating the sort of DSLR camera you will buy. Don’t forget to locate an excellent discount digital SLR camera.

3. What exactly are you assets? Once you buy DSLR camera, sometimes the actual investing does not conclusion there. You also have to consider the capacity as well as the strength with the pc as well as the printer’s you will end up hooking your camera together with for the enhancing as well as printing wants. Enhancing software program already are integrated when you buy DSLR camera however some other devices are certainly not. Apart from an inkjet printer, printer ink and papers for producing, there is also extra memory space cards to your camera and a more powerful personal computer to support picture modifying as well as picture safe-keeping and access.
Following responding to these Several concerns, the 2nd set of important information to understand prior to deciding to buy DSLR camera would be the features that you’ll require within the gadget. They are:

4. Decision. Before you buy DSLR camera, check initial the capability produce top quality picture images. The quantity of pixels indicated establishes quality. The more number of pixels, the larger the resolution which can make pictures to become enlarged with out shedding graphic high quality.
– Built-in memory space. DSLR cameras require memory space credit cards regarding picture safe-keeping. When you buy DSLR camera, ensure that the device that you buy will not have only the “built-in” memory space yet must also have a greeting card slot machine regarding outside and extra memory. This enables you to modify complete storage charge cards conveniently although capturing your own photos.

5. Look as well as really feel. It is essential that you should really feel comfortable having your DSLR camera while capturing. Therefore, before you decide to buy DSLR camera, it excellent to check and also find out if you’re comfortable holding that and taking advantage of this. Think about the location where the control keys can be found and how they are spread out out there and see furthermore if you feel comfortable with all the viewfinder.

6. Battery life. DSLR cameras consume power packs quick as well as electric batteries are very pricey. Before you decide to buy DSLR camera, consider if the particular digital cameras batteries are rechargeable. By doing this you are able to renew them. Take additionally into consideration a great AC adapter once you buy DSLR camera. It is possible to attach this particular to the camera if you are looking at the images or perhaps importing all of them

7. LCD. The actual LCD is an unique thing to consider you need to look directly into once you buy the DSLR camera. This is a little screen positioned behind the DSLR camera that allows one to survey the photos you got. It has that need considering when you buy DSLR camera as it uses up lots of battery.

8. Unique characteristics. Unique characteristics that will suit your needs might be of interest, also before you buy DSLR camera. If you want your own camera to get great cruising, you are able to choose people that have optical move contacts. Any diopter adjusting around the DSLR digital camera’s viewfinder may also be beneficial to people who on a regular basis put on eyeglasses and wish to buy DSLR camera. Other features such as remote control, tripods, etc. can also be regarded when you buy the DSLR camera.

Using these details, you can now figure out what you really need and want before you decide to buy DSLR camera. In order to notice rankings and rankings of those devices based on cost, quality or other features, check out different websites who have these kinds of in the Internet.

If you are searching to buy SLR digital camera, you can visit cheap dslr web store. On this site you can aquire a good discount DSLR camera.

3 Considerations Before You Buy a New Camera

 
 
1- The number one variable is anticipated use. If fast action, distant birds or special effects aren't a consideration, almost any point and shoot will help with your vacation, parties and casual shooting.  If essentially the opposite is the case meaning sports, nature and wildlife, night shooting and more are your fancy, the obvious answer is a digital SLR.


2- What are your friends using?- Like everything else in life, a helpline is great.  If a couple of your friends are "Nikon guys" or "Canon aficionados" you've got a ready made consultant.  They can help with your settings, maybe lend a lens and get you off the ground.

3- When you buy you commit- If you go with the more complex, versatile and expensive DSLR (which is what all serious photographers at every level do) remember that you'll likely add lenses and other accessories that are brand specific, read: not interchangeable.  That pretty much means you are now a Canon, Nikon or Sony cultist yourself!

  

Sony Unveils Accessories For Alpha DSLR

By Greg Tarr -- TWICE, 4/18/2011

SAN DIEGO – Sony introduced a powerful compact external flash with quick shift bounce for its Alpha series d-SLR cameras along with several accessories including a bracket, carrying case and lens hood.

The HVL-F43AM external flash (shipping this summer at a $350 suggested retail) includes GN43 output (105mm ISO100), Quick Shift Bounce adjustment, wireless ratio control and is dust and moisture resistant.

The Quick Shift Bounce system allows the flash head position to be adjusted instantly when switching between horizontal and vertical compositions.

This is said to maintain consistent shadow positions regardless of camera orientation, for more natural-looking ‘bounce’ effects.

The unit’s Wireless Ratio Control makes simplifies the selection of light emission ratios for up to three separate flash units. This allows quick creation of sophisticated multi-point lighting effects without the need for complex professional equipment.

Flash power levels are switchable in 22 increments, from 1/1 through to 1/128 level in 1/3 steps. High output power is complemented by a 2.9 second (approx.) recycling time. The flash includes a high-quality LCD screen and direction buttons.

Also coming this summer are the VCT-55LH bracket, LCS-AMB soft carrying case and ALC-SH111 lens hood.

The VCT-55LH is described as a versatile mounting bracket that offers space for mounting additional ISO cold shoe accessories. Designed for Amount cameras, the bracket can also be used with E-mount cameras such as the NEX-5/NEX-3 and the Handycam NEXVG10E HD camcorder.

Other accessories – like a shotgun microphone – can be mounted while the camera’s main shoe is occupied.

The VCT-55LH ($50 suggested retail) will support the CLM-V55 clip-on LCD monitor.

The LCS-AMB soft carry case ($50) protects A-mount cameras and attached standard zoom lenses in transit.

It features a suspended partition to cradle the camera securely while allowing quick access. Finished in black polyester, the case can be slung over a shoulder using the supplied strap, carried by the grab handle or attached to a belt. It also features pockets with space for up to two extra batteries, spare memory cards and lens caps.

The ALC-SH111 lens hood ($20 suggested retail) is compatible with DT 35mm F1.8 SAM and 85mm F2.8 SAM lenses. The round-profile hood shades from direct sunlight to prevent glare and lens flare.

iPhone 4 Camera Beats Out Canon EOS DSLRs

iPhone 4 Camera Beats Out Canon EOS DSLRs, Just Behind Nikon D90 On Flickr 

We know that the iPhone 4 packs a great camera with some of the best HDR effects we've seen to date (even against compact cameras). However one would never considered it a serious competitor to the Canon EOS DSLR range or reach up to the likes of Nikon D90. Well it apparently has done just that, on Flickr.

iPhone 4 soon to become most popular camera on Flickr

The iPhone 4 currently stands as the second most popular camera on Flickr, with its rise happening at a phenomenal rate. It is important to note that it took the Nikon D90 almost three years to reach the top spot, whereas the chart shows the iPhone 4 may take that spot within a month now.

DSLRs dominate list: Nikon D90, Canon EOS 5D Mark II, Rebel T1i & XSi

Another interesting point to note which was overlooked by the quick rise of the iPhone 4, is the fact that the other 4 cameras are DSLR. This suggests a strong decline in the interest of compact cameras as technically only the iPhone 4 makes it as a point and shoot camera on the top 5.
Once can suggest that consumers are slowly moving towards better quality photos than just portability when it comes to buying a dedicated camera. This is no surprise as most smartphones today have pretty good cameras, defeating the need for a compact.
Check out the chart below.

Canon vs Nikon: which DSLR should you buy?

By Matthew Richards

The two biggest players in the DSLR market have launched a feast of new cameras over the last few months, updating and adding to an already excellent range of models.

But which Canon or Nikon DSLR is best for your needs?

We've rounded up the main Canon and Nikon cameras from each manufacturer's beginner, intermediate and advanced DSRL lineups and undertaken an in-depth comparison of the key specs and features on offer.

Using this information, we've analysed what you get for your money from the current Nikon and Canon DSLR cameras in the three main price brackets of sub-£500, £500-£1000 and £1000 or above.

Ultimately, we hope by the end of this article you will be better placed to answer the question: Nikon or Canon?

Canon vs Nikon: DSLRs under £500

Canon 1100D - £420

Nikon D3100 - £400

Despite being Europe's best selling DSLR for the first half of 2010, the Nikon D3000 was already looking a bit long in the tooth, with a fairly low-res 10.2Mp sensor and a complete lack of Live View or video capture facilities.

The updated Nikon D3100 puts that to rights, with a new 14.2Mp sensor and EXPEED 2 image processor, putting most of advanced Nikon DSLR cameras to shame, at least at the time of its launch.

Canon has fought back with its new EOS 1100D, the long-awaited Canon 1000D replacement. New features in this Canon DSLR include a higher-res 12.2Mp image sensor feeding a DIGIC IV image processor, video capture and Canon's advanced iFCL (intelligent Focus Colour Luminance) metering system which is more in line with Nikon's 3D Colour Matrix II metering system featured on the D3100.

Both the Canon and Nikon DSLR cameras do a good job of keeping things simple for beginners, with a range of full-auto and dedicated shooting modes for the likes of landscapes, portraits and sports.

Canon has added a 'Basic+' facility to its previously somewhat hamstrung scene modes, enabling basic adjustments like exposure compensation. The Creative Auto mode featured on most other current Canon DSLR cameras is also added, simplifying settings for the likes of controlling depth of field.

The Nikon D3100's Guide shooting mode goes one better, offering a handy in-camera guide to freezing the action, blurring the background and more besides. It's great for beginners who want to experiment with taking their photography to the next level.

Image quality is a little more punchy from the Nikon DSLR, and its Active D-Lighting system is excellent for reigning in highlights while also boosting detail in dark shadows, working a little more effectively than the Auto Lighting Optimizer on the Canon DSLR.

The Canon 1100D moves up to a 9-point autofocus system, whereas the older EOS 1000D only had 7-point autofocus, but the Nikon D3100 still wins out with its 11-point AF.

The Canon 1100D's sensitivity range is ISO 100-6400 and the Nikon D3100's standard range is ISO 100-3200, but the Nikon DSLR also features expanded settings of ISO 6400 and 12800.

Video capture is a new addition to both Canon and Nikon beginner DSLRs, but the Canon 1100D only offers 720p at 25/30fps (frames per second), whereas the Nikon D3100 boasts Full HD 1080p at 24fps and 720p at 24/25/30fps. Neither Nikon or Canon camera has a socket for attaching an external microphone for video recording.

Canon vs Nikon: DSLRs £500-£1000

Canon 550D - £520

Canon 600D - £660

Canon 60D - £780

Nikon D90 - £530

Nikon D7000 - £890

Canon redefined the 'intermediate' DSLR market with the EOS 550D. This Canon DSLR inherited many of the major attractions of the much more expensive Canon 7D, including a class-leading 18Mp-resolution CMOS sensor, new iFCL (intelligent Focus Colour Luminance) exposure metering, high-res 1040k 3.0-inch LCD and Full HD 1080p video capture complete with an external microphone socket for high-quality sound recording.

Everything's wrapped up in a very compact and lightweight polycarbonate resin shell, but this ultimately makes the Canon camera feel a bit plasticky and occasional corners have been cut in build quality.

For example, the viewfinder is of the cheaper pentamirror variety, rather than being a proper pentaprism viewfinder.

The closest priced Nikon DSLR equivalent is the D90, which is something of a classic. Sturdy build quality includes an excellent pentaprism viewfinder, highly accurate 3D Colour Matrix II exposure metering system and 11-point autofocus.

The Nikon D90 can certainly match the Canon 550D for outright image quality when making a D90 vs 550D comparison but, in other respects, the Nikon D90 looks rather outdated.

Sensor resolution is comparatively low at 12.3Mp and video recording is limited to 720p at 24fps, with only mono sound. The sensitivity range of ISO 200-3200 (ISO 6400 expanded) also loses out against the Canon 550D's ISO 100-6400 (ISO 12800 expanded). We've found the D90's images tend to look a little grainier than the 550D's at high ISO settings.

The next big contest is between the Canon 60D vs Nikon D7000. Both of these new DSLR cameras are at the top end of the intermediate level, bordering on advanced, semi-pro territory.

The Canon 60D shares the same 18Mp sensor resolution as the EOS 550D, 600D and 7D Canon cameras, while upgrading the EOS 550D/600D's pentamirror viewfinder to a more advanced pentaprism unit.

As the direct successor to the venerable EOS 50D Canon DSLR, the Canon 60D adds video capture with a complete range of 24/25/30fps options for Full HD 1080p shooting.

There's also a neat range of in-camera image processing options, with new creative filters, plus a facility for rating your images while reviewing them on the excellent 3.0-inch 1040k resolution LCD.

The Canon 60D's LCD has a fully articulating or pivoting function, which is great for shooting from awkwardly high or low angles, and even for taking self-portraits.

Nikon actually featured this arrangement in its older D5000 camera but has dropped it on subsequent Nikon DSLRs, such as the D7000, which features a fixed 3-inch 920k LCD.

In some respects, the Nikon D7000 outclasses the Canon 60D in a Nikon vs Canon comparison. The D7000 has a 39-point rather than 9-point autofocus system, a faster 6fps vs 5.3fps continuous shooting rate, dual media card slots instead of a single slot, and a tougher magnesium alloy vs plastic body.

The standard ISO range is ISO 100-6400 in both cases, although the Nikon D7000 is expandable to ISO 25600 whereas the Canon 60D's maximum is ISO 12800.

Like the Nikon D3100, there's Nikon's new-generation EXPEED 2 image processing engine. In-camera image editing and RAW conversion is also particularly good.

The Canon 60D fights back vs the Nikon D7000 with a better range of HD video shooting, offering Full HD 1080p at 24/25/50fps and 720p at 50/60fps, whereas the Nikon D7000 can only shoot 1080p at 24fps, and 720p at 24/25fps.

The Canon 60D also has a higher-resolution 18Mp sensor but, then again, the Nikon D7000's new 16.2Mp sensor comes very close.

As with other Nikon vs Canon models throughout the range, the D7000 tends to produce punchier images straight off the camera, whereas the Canon 60D is a little more restrained and true-to-life in most of its various colour modes and picture styles.

Images from the EOS 60D can therefore more often benefit from a little post-processing, but at least Canon DSLRs are supplied with the excellent Digital Photo Professional program for RAW editing and conversion, whereas Nikon Capture costs an additional £130.

Bridging the price gap between the Canon 550D vs Nikon D90 and Canon 60D vs Nikon D7000 battles is the new Canon 600D. We've come to this new Canon DSLR last, as it sits between the two camps.

In essence, there are very few changes from the Canon 550D in this new Canon camera, as it has the same resolution sensor and image processing engine.

The only major differences are that this latest Canon DSLR inherits the Canon 60D's articulating LCD, the new Basic+ adjustment of shooting parameters in Basic Zone shooting modes, and an on-screen feature guide, somewhat similar to that featured on the Nikon D3100.

Canon vs Nikon: DSLRs £1,000 and above
Canon 7D - £1,145
Canon 5D Mk II - £1,650
Nikon D300s - £1,020
Nikon D700 - £1,735


Once you pass the £1,000 barrier for a Canon or Nikon DSLR body, the main choice is whether to stick with an APS-C (Advanced Photographic System-Classic) sensor or to go for a full-frame sensor. The latter is rather larger, the same size as a frame of 35mm film.


Historically, full-frame sensors often had higher resolutions and gave better signal-to-noise performance, so images looked less grainy especially when taken at high ISOs. But these issues have been greatly minimised, so let's start with the APS-C choices.


The Canon 7D is a super-fast camera ideally suited to sports and action photography, while also being sufficiently versatile to take practically anything else in its stride.

The 8fps continuous shooting rate is backed up by dual DIGIC IV processors and there's a full complement of Canon's latest iFCL metering, 18Mp CMOS sensor, 19-point autofocus and Full HD 1080p movie recording at 24/25/30fps. It's suitably rugged too, with a magnesium alloy body complete with environmental weather seals.


The Nikon D300s is a rather older design, which is itself only a fairly minor revamp of the original D300. As such, its 12.3Mp resolution is outclassed by newer, relatively down-market DSLR cameras even in Nikon's own stable, like the D7000 and entry-level D3100.

Similarly, high-definition video capture is limited to just 720p at 24fps. Even so, there's still a lot to like about the D300s, including an unerringly accurate 51-point autofocus system and remarkably consistent 3D Colour Matrix II exposure metering.


The D300s is no slouch either, with a maximum 7fps in continuous shooting mode, which you can boost to 8fps by adding the MB-D10 battery grip.


In this Nikon vs Canon epic, the Canon 7D wins out in the sensitivity stakes, with a range of ISO 100-6400 (ISO 12800 expanded) compared with the Nikon D300s's ISO 200-3200 (ISO 100-6400 expanded).


At sensitivity settings of around ISO 1600-3200, the Canon tends to deliver slightly smoother, noise-free images. Both cameras offer a good range of direct-access controls to important shooting parameters like ISO, white balance and exposure compensation, but the Nikon D300s's controls are a little more intuitive.


Typical for Nikon DSLRs, the D300s also offers an enormous range of customisation options for setting up the camera to your most exacting requirements and preferences.


Moving up to full-frame cameras, the Canon 5D Mark II really revolutionised the genre, offering a host of features and up-market specifications usually reserved for fully-professional bodies with price tags of around £5,000.

At the time of its launch, the resolution of its sensor caused quite a stir, at 21.1Mp, although Canon's latest APS-C bodies like the EOS 550D, 600D, 60D and 7D have almost caught up with their 18Mp sensors.


By comparison, the Nikon D700 looks a poor relation, with its 12.1Mp sensor. Indeed, it's a sign of the times that while APS-C cameras are updated with new models appearing very frequently, most full-frame bodies have gone for years without being updated.


One thing that counts in the Nikon D700's favour is that the relatively modest resolution enables silky-smooth image quality even at the highest standard sensitivity in its ISO 200-6400 range (ISO 100-25600 expanded).


The Canon 5D Mark II offers ISO 100-6400 in its standard range (ISO 25600 expanded) but noise at high ISO settings is rather more noticeable.
Unlike the newer Canon 7D, the EOS 5D Mark II only features a single DIGIC IV processor, a slower continuous drive rate of 3.9fps and a 9-point AF system, as well as Canon's older generation of exposure metering system.

By comparison, the Nikon D700 has a faster 5fps continuous shooting rate (8fps with MB-10 battery grip), a 51-point autofocus system and the latest 3D Colour Matrix II exposure metering.


If you're upgrading from an APS-C camera, another bonus is that you can use Nikon DX-format lenses on the D700 in 'crop' mode, whereas Canon EF-S lenses designed for APS-C cameras are incompatible with the Canon 5D Mark II.


Like all the Canon or Nikon cameras in this price group, bodies are based on a sturdy magnesium alloy construction. Overall build quality is very good in both the Canon 5D Mark II and Nikon D700.
A key difference, however, is that the Nikon D700 has no video recording facility, whereas the Canon 5D Mark II offers Full HD 1080p recording, albeit without the multiple frame rate options of newer Canon DSLRs.

Nikon vs Canon: Enter the Nikon D5100

 

by William Maher  

 

If you're shopping for a beginner DSLR, the new Nikon D5100 should be on your radar whether you're a Nikon fan or not. Here's why.

 

It's no secret here at PC & Tech Authority that we've been big Canon fans over the years - from various IXUS cameras, up to the G12 and EOS 7D (currently on our A-List), plenty of Canon cameras have earned our praise.

But the fact that Nikon is currently gracing our A-List in the "beginner DSLR" category, shows that you'd be wise to keep an open mind when it comes to DSLR brands. We're big fans of the Nikon D3100 (around the $1000 mark), which won our most recent group test thanks in part to image quality and ease of use.

Now Nikon is introducing the D5100, which looks even more impressive and should give Canon's new 600D a run for your money.

Both cameras are equipped to take advantage of two trends in DSLR - HD video recording, and special modes such as night vision and HDR.

Both cameras shoot 1080p video, but it's beyond this that they add various tricks. The Nikon shoots at 24/30fps, and has the ability to let you add in-camera effects as well as continuous autofocus while shooting video. The Nikon has an external mike input for a new ME-1 stereo microphone Nikon is bringing out. Meanwhile, the Canon shoots video at 24/25/30 fps with full manual control.

Both cameras offer a range of special filters and modes. As we're seeing on a number of news cameras, including Panasonic models, the D5100 includes a special mode for shooting at night. "Night Vision" bumps ISO up to an equivalent of 102400. As well as scene modes, the camera also includes special effects that can be previewed.

The Canon 600D includes a variety of creative art filters, including a fish eye mode and toy camera mode, as well as scene intelligent auto - something compact camera users will be familiar with.

Both cameras have variable angle TFT screens.

One of the most important questions, as always, will be image quality. The Canon 600D impresses on paper with an 18MP CMOS, versus the Nikon's 16.2MP CMOS. We'll reserve our final judgement for when we've done a full review.

With the 600D priced at $1249 for the single IS lens kit, and Ted's cameras listing the D5100 for $999 for the camera body (the site says stock is arriving in May), these two cameras look like being a close matchup. 

source : http://www.pcauthority.com.au 

5D Mark III

New 5D Mark III rumor popped up on this weekend.

Specifications

• 26.4 million effective pixels
• ISO expandable to 102,400
• 19 point AF system, 3 cross-type points
• DIGIC 5
• 4.9 fps continuous shooting
• 63-zone iFCL metering
• 1.04 million dot LCD
• Improved camera grip
• Improved pentaprism, approximately 100% frame coverage
• released mid-year

All the specs are reasonable and almost expected.
All other info I’ve received has said 30+ mp and 7D AF. No word on video specs yet.

Budget dSLRs: Are they good enough?

It's quite common to see teenagers with dSLRs around their necks, though in some cases, the camera looks more an accessory than an actual photographic tool. And if you look closely, you might spot an entry-level dSLR.

Budget dSLRs generally offer more for less: With the latest models featuring full-HD video recording and articulating LCD screens while maintaining affordable prices and a smaller footprint. It's no wonder these shooters are becoming so popular.

Not everyone who buys a budget dSLR is upgrading from advanced point-and-shoots or bridge cameras. I have friends migrating from high-end dSLRs to budget models such as the Nikon D5000 and the Canon EOS 600D. Sure, lower-end dSLRs may not be able to compete with their more expensive brethren in terms of speed. But they make up for it in terms of portability, value and a myriad of consumer-friendly features.

Would you choose a budget dSLR over a professional model? Let us know.

Canon 550D Tutorial Metering Your Exposure for DSLR Video

by Dave

I got invited to shoot a behind the scenes [BTS] video for the ad agency Sterling-Rice Group for one of their upcoming  commercial ad spots.

It was great to see an entire team working together as I floated around independently trying to be quiet as possible and not getting in their way. These ‘guys’ put in long hours away from their families, so I wanted to capture those moments doing what they love best – being creative. I thank them for the opportunity, and hope I represented them well.

While I can’t show you the video I did just yet, it came out well but I can tell you a few things I have learned.

I shot a ton of footage from the all day shoot at two locations. While the crew was somewhat stressed at meeting their deadlines they had set throughout the day I got to really kick back relax and watch it all unfold and what for the good shots.

Exposure for DSLR

What was really nice about being so relaxed I got to shoot them filming a scene over and over again. On many of the takes I would try different exposures for the same scene. This was a great exercise for me in calibrating my eye to the camera’s display. After 10 hours of shooting that day I really started to dial in the exposure by eye vs. using the meters on the camera.

I find that when shooting outside like with landscapes that trusting the meter is a good thing, but when you are inside exposing for talent it is a much different thing. With the Canon DSLR’s you don’t have the choice of 4 different metering modes as you do with stills, you are stuck with the evaluative center weighted average metering mode which doesn’t work well in all situations.

DSLR’s don’t allow a lot of leeway for getting the exposure correct. I have found in some poor lighting situations just a 1/3 of a stop or one click on your dial can turn nice shadows in to muddy or blotchy shadows, or nice highlights on the face can turn in to clipped highlights.

For some of you that have followed my learning curve over the last year know I have tested many picture styles. I have given up on the flat styles, they are just too hard of me to get it right in post, so now I am using the neutral style with the sharpness one step for the lowest setting and the contrast one step for the lowest setting. I tell you this because if you are trying to expose for a flat picture style it makes it harder to get it right.

So get out there and practice getting the exposure right with lots of repetition and learn not to always trust the meter.

So keep an eye out for my BTS video also I am reviewing a circular polarizer and ND filter so subscribe if you want to know when that comes out.

Learn To Properly Clean A DSLR Camera Lens

If you haven’t cleaned your DSLR lens before, the Nikon Help Hotline shows us — in step by step video form — how it’s done.

While you certainly don’t want to clean your lens every day or anything (only clean it if it looks like it needs a cleaning), any photographer should know how to properly clean the lens for quality pictures. You’ll need a few things before you start, but you probably already have some of it lying around, like rubbing alcohol and microfibre cloths. Check out the video above to see a walkthrough of the process, and if you’ve got any of your own tried and true lens cleaning tips, share them with us in the comments.

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